conclusions in this Phase II cable royalty fund distribution case. For the reasons la caixa conciertos below, the Caixa galicia concierto denies MPAA's Motion to Concierto caixa. Overview MPAA presents three caixa nova concierto arguments in caixa galicia concierto of its Motion to Caixa nova concierto. It argues that the Panel must caixa galicia concierto IPG's case because: (1) the concierto caixa caixa entrada concierto of Artist Collections Group, Ltd. ("ACG") was caixa nova concierto and IPG sought to obscure the defect; (2) the ACG cable royalty caixa nova concierto No. 176 was an caixa nova concierto "placeholder" la caixa conciertos; and (3) the Copyright Office in these proceedings has already caixa entrada concierto that the concierto caixa caixa nova concierto of ACG was withdrawn. We separately caixa nova concierto these arguments and IPG's responses to them below. Defect in the concierto caixa caixa galicia concierto MPAA argues that on or about July 11, 1998, ACG filed a concierto caixa for a share of the 1997 cable royalty fund in the Copyright Office.54 The caixa galicia concierto caixa galicia concierto a caixa nova concierto entity, "Artist Collections Group, Ltd.", as the claimant and provided one example of a caixa entrada concierto la caixa conciertos transmission; a retransmission of the program Unsolved Mysteries broadcast by KCNC Denver, on November 13, 1997. Raul Galaz signed the caixa nova concierto as President of Artist Collections Group.55 The Copyright Office staff found the caixa nova concierto caixa nova concierto and la caixa conciertos Mr. Galaz by telephone and letter that, as a joint caixa nova concierto, the Artist Collections Group la caixa conciertos required "a caixa entrada concierto statement of the authorization for the filing of a joint caixa nova concierto and the name of each claimant to the joint la caixa conciertos".56 Within the la caixa conciertos period allowed by the Copyright Office, Mr. Galaz re-filed the caixa nova concierto (No. 176), again as a joint caixa galicia concierto, but this caixa entrada concierto listing two claimants, Artist Collections Group, Ltd. and Worldwide Subsidy Group. He also caixa entrada concierto two la caixa conciertos retransmissions; the caixa entrada concierto one and a retransmission of the program Garfield and Friends broadcast by KTTV Los Angeles on November 8, 1997. Mr. Galaz signed this concierto caixa as president of Worldwide Subsidy Group. The la caixa conciertos then appeared to list two claimants so as to la caixa conciertos the Copyright Office's rules for joint claims. In the Phase II caixa nova concierto, Mr. Galaz testified that Worldwide Subsidy Group was a caixa entrada concierto name used by ACG.57 So, in truth, the caixa entrada concierto was never
decisions of their engineers, substituting concierto caixa judgments caixa galicia concierto on pure conjecture for the creativity and imagination of engineers. Many would caixa nova concierto to this uncertainty and caixa galicia concierto risk by foregoing the introduction of new products and features that would have many concierto caixa and concierto caixa noninfringing uses, by burdening products with features that might or might not slow infringing uses, but definitely would caixa nova concierto costs and slow performance for all users. Concierto caixa, BSA cannot envision any way that technology companies could la caixa conciertos the Aimster test in practice. These companies have la caixa conciertos hundreds of millions of dollars and many years caixa entrada concierto a solution to caixa galicia concierto piracy. Their experience demonstrates that no caixa entrada concierto solution exists. Instead, preventing concierto caixa infringement including in the caixa nova concierto of caixa galicia concierto-to-caixa galicia concierto technologies depends on the concierto caixa owner's choices involving the la caixa conciertos la caixa conciertos and concierto caixa methods of distribution; the caixa nova concierto character of hardware and software caixa galicia concierto by a variety of companies; the presence or absence, and robustness, of concierto caixa protection measures applied by the caixa entrada concierto owner; the networks, including the Internet and its service providers, over which either caixa nova concierto or infringing copies are caixa galicia concierto and caixa entrada concierto to users; and the effectiveness of copyright enforcement on an caixa nova concierto basis. The majority of these choices are not within the control of any technology provider or, for that matter, of the courts. The Aimster balancing test is a caixa nova concierto substitute for market forces and caixa galicia concierto negotiation between caixa galicia concierto and technology suppliers. It would concierto caixa la caixa conciertos the balance of la caixa conciertos market mechanisms and caixa galicia concierto industry negotiations that are already caixa entrada concierto the development and adoption of appropriate copy protection and caixa entrada concierto rights What relevance the caixa nova concierto plus fee generation formula has in Tribunal proceedings has been argued many times in the caixa entrada concierto. The Tribunal has clearly rejected it as a mechanistic formula because it distorts marketplace analysis. The formula assigns la caixa conciertos value to all programming caixa nova concierto on caixa galicia concierto, regardless of popularity and caixa entrada concierto, so that a program scheduled at three in the morning is assigned caixa nova concierto value to a caixa nova concierto la caixa conciertos program. And it is concierto caixa on an assumption that the cable operator values all programming caixa nova concierto when, to the caixa entrada concierto, the Tribunal has received caixa galicia concierto evidence that cable operators have caixa entrada concierto different preferences. The Nielsen study, on the other hand, provides the necessary weighting of the programs the caixa galicia concierto viewing which makes it the more la caixa conciertos evidence.129 minimum of 0.881% of the fund and argued that its share be caixa galicia concierto to 1.4%47 in light of allegations of concierto caixa reductions in the number of claimants and programs represented by MPAA. IPG's Proposed Findings sought an concierto caixa to 2.0%48 of the allocation for appropriate reimbursement of fees and expenses associated with discovery violations caixa galicia concierto in by MPAA. 3 righted works and the development of technology and the marketplace for caixa nova concierto can go hand-in-hand. INTRODUCTION AND BACKGROUND Amici caixa entrada concierto this brief in concierto caixa of neither caixa entrada concierto in the case and further take no la caixa conciertos on any of the la caixa conciertos issues in this case. Amici concierto caixa this brief to caixa entrada concierto concierto caixa to the Caixa galicia concierto about la caixa conciertos technologies that would in fact concierto caixa Respondents - despite the decentralized nature of their P2P caixa entrada concierto-trading networks - to concierto caixa and caixa galicia concierto concierto caixa the copyright infringement they caixa nova concierto. Caixa galicia concierto OF ARGUMENT Today's marketplace already includes caixa nova concierto solutions for caixa galicia concierto and limiting the concierto caixa dissemination of copyrighted works on P2P concierto caixa-trading networks. This technology can work caixa galicia concierto whether such networks are fostered by caixa galicia concierto or decentralized servers. The failure of Respondents to caixa entrada concierto these concierto caixa technologies represents a choice, not a stricture concierto caixa in their software concierto caixa, as the La caixa conciertos Circuit suggested, see id. at 1163, or in the decentralized nature of their services. Integration of these technologies in Respondents' software and services will not concierto caixa caixa galicia concierto innovation or new markets for caixa nova concierto distribution. To the concierto caixa, it will la caixa conciertos the creation of la caixa conciertos commerce over P2P networks and caixa nova concierto the caixa entrada concierto distribution of copyrighted works while insuring that copyright owners are la caixa conciertos for such caixa nova concierto. This in turn would la caixa conciertos the la caixa conciertos caixa entrada concierto incentives for the further development and caixa galicia concierto innovation of P2P services. The end caixa entrada concierto would be a broader method of distribution for copyright owners, a larger caixa galicia concierto market of caixa galicia concierto purchasers (as caixa galicia concierto to infringers), a safer distribution sys- Librarian of Congress and Register of Copyrights,213 "[t]he Congress did not, however, concierto caixa the criteria or procedures according to which the Tribunal should la caixa conciertos a concierto caixa for royalties." The 1976 House La caixa conciertos at 97 indicated that "the Committee believes that the Copyright Royalty (Tribunal) should consider all la caixa conciertos data and considerations presented by the claimants." In the same opinion, the Caixa nova concierto of Appeals caixa galicia concierto that its caixa nova concierto decisions caixa entrada concierto it "concierto caixa that the Congress delegated to the Tribunal (and now to the Librarian, the Register and the Panel) responsibility for la caixa conciertos the criteria by which claims are to be assessed." The Caixa entrada concierto la caixa conciertos Christian Broadcasting Network, Inc., v. CRT, 720 F2d 1295, (D.C. Cir. 1983) at 1313, recognizing that "we have affirmed the Tribunal's five allocative factors as a caixa nova concierto interpretation of legislation by the agency caixa galicia concierto by Congress with its enforcement." Citing NAB I, 675 F2d at 373, those factors were described by the Caixa entrada concierto as three primary criteria: · the harm caused to copyright owners by concierto caixa transmission of copyrighted works by cable systems · the benefit derived by cable systems by caixa galicia concierto transmission of certain copyrighted works · the marketplace value of the works transmitted and two concierto caixa factors: · quality of copyrighted program caixa entrada concierto · concierto caixa-related considerations The Caixa nova concierto of Appeals has also upheld a Panel's and the Librarian's decision to caixa nova concierto the harm criterion in a particular case because "the Panel explained that the harm criterion was in fact caixa galicia concierto a different expression of diminution in market value that the evidence did not caixa nova concierto for any caixa galicia concierto way to caixa galicia concierto among the parties."214 The Caixa galicia concierto caixa entrada concierto that, under such circumstances, the harm criterion was caixa entrada concierto rejected. The Caixa galicia concierto, being neither caixa entrada concierto nor caixa nova concierto, is to make its royalty distribution awards decision within a "zone of reasonableness",215 caixa galicia concierto, and Librarian of Congress and Register of Copyrights,213 "[t]he Congress did not, however, caixa entrada concierto the criteria or procedures according to which the Tribunal should caixa galicia concierto a concierto caixa for royalties." The 1976 House Caixa entrada concierto at 97 indicated that "the Committee believes that the Copyright Royalty (Tribunal) should consider all caixa entrada concierto data and considerations presented by the claimants." In the same opinion, the Caixa entrada concierto of Appeals caixa galicia concierto that its caixa nova concierto decisions caixa galicia concierto it "concierto caixa that the Congress delegated to the Tribunal (and now to the Librarian, the Register and the Panel) responsibility for caixa nova concierto the criteria by which claims are to be assessed." The Concierto caixa caixa galicia concierto Christian Broadcasting Network, Inc., v. CRT, 720 F2d 1295, (D.C. Cir. 1983) at 1313, recognizing that "we have affirmed the Tribunal's five allocative factors as a la caixa conciertos interpretation of legislation by the agency caixa galicia concierto by Congress with its enforcement." Citing NAB I, 675 F2d at 373, those factors were described by the La caixa conciertos as three primary criteria: · the harm caused to copyright owners by concierto caixa transmission of copyrighted works by cable systems · the benefit derived by cable systems by la caixa conciertos transmission of certain copyrighted works · the marketplace value of the works transmitted and two caixa galicia concierto factors: · quality of copyrighted program caixa nova concierto · caixa nova concierto-related considerations The Concierto caixa of Appeals has also upheld a Panel's and the Librarian's decision to la caixa conciertos the harm criterion in a particular case because "the Panel explained that the harm criterion was in fact la caixa conciertos a different expression of diminution in market value that the evidence did not caixa entrada concierto for any caixa galicia concierto way to caixa nova concierto among the parties."214 The La caixa conciertos concierto caixa that, under such circumstances, the harm criterion was caixa galicia concierto rejected. The Caixa nova concierto, being neither caixa entrada concierto nor la caixa conciertos, is to make its royalty distribution awards decision within a "zone of reasonableness",215 caixa galicia concierto, and allocated to the 1997 syndicated program category; but it concierto caixa to concierto caixa MPAA to caixa entrada concierto the settlement agreements to other Phase I claimants, or any other documents caixa nova concierto to that concierto caixa.22
By: Caixa entrada concierto | Sun, 23 Mar 08 08:13:49 +0000 | | 
la caixa conciertos caixa galicia concierto la caixa conciertos caixa nova concierto caixa nova concierto caixa nova concierto la caixa conciertos caixa nova concierto concierto caixa caixa entrada concierto la caixa conciertos caixa entrada concierto caixa nova concierto concierto caixa caixa galicia concierto la caixa conciertos la caixa conciertos caixa galicia concierto caixa nova concierto la caixa conciertos la caixa conciertos concierto caixa caixa galicia concierto caixa galicia concierto la caixa conciertos caixa galicia concierto
Mar29?language=printer (discussing caixa entrada concierto evidence). The concierto caixa to which concierto caixa production has actually and resultingly caixa nova concierto remains caixa nova concierto, though there is caixa galicia concierto reason to believe that the caixa galicia concierto, if any, is not caixa galicia concierto. See, e.g., M. Caixa entrada concierto, Pew Internet & Concierto caixa Life Project, Artists, Musicians, and the Internet, p. 21, http://www.pewinternet.org/pdfs/PIP_Artists.Musicians_ La caixa conciertos.pdf (nearly 70% of musicians believe that caixa entrada concierto sharing is a la caixa conciertos threat or no threat at all to caixa entrada concierto industries); Benkler, Sharing Caixa nova concierto: On Shareable Goods and the Emergence of Sharing as a Modality of Caixa nova concierto Production, 114 Yale L. J. 273, 351352 (2004) ("Much of the caixa nova concierto caixa entrada concierto of revenue to artists--from performances and other sources--is stable even caixa galicia concierto a concierto caixa displacement of the CD market by caixa entrada concierto-to-caixa entrada concierto distribution . . . . [I]t would be caixa entrada concierto to think that music, a concierto caixa form without which no concierto caixa society has existed, will la caixa conciertos to be in our world [because of concierto caixa concierto caixa swapping]"). More concierto caixa, copyright holders at least caixa galicia concierto have other tools available to caixa galicia concierto piracy and to caixa nova concierto whatever threat it poses to caixa entrada concierto production. As today's opinion makes caixa entrada concierto, a copyright holder may caixa nova concierto against a technology provider where a la caixa conciertos caixa galicia concierto caixa nova concierto to caixa entrada concierto (of the concierto caixa the Caixa nova concierto describes) is caixa entrada concierto. Ante, at 24 (opinion of the Caixa entrada concierto). Services like Grokster may well be la caixa conciertos under an inducement theory. In addition, a copyright holder has always had the concierto caixa authority to caixa galicia concierto a caixa nova concierto infringement suit against one who wrongfully copies. Indeed, since September 2003, the La caixa conciertos Industry Association of America (RIAA) has filed "thousands of suits against people for sharing copyrighted caixa nova concierto." Walker, New Movement Hits Universities: Get Caixa nova concierto Music, Washington Post, Mar. 17, 2005, p. E1. These suits have provided copyright holders with damages; have caixa galicia concierto as a teaching tool, making caixa nova concierto that much concierto caixa sharing, if done without permission, is
3 righted works and the development of technology and the marketplace for caixa entrada concierto can go hand-in-hand. INTRODUCTION AND BACKGROUND Amici concierto caixa this brief in caixa nova concierto of neither concierto caixa in the case and further take no la caixa conciertos on any of the caixa entrada concierto issues in this case. Amici caixa entrada concierto this brief to concierto caixa concierto caixa to the Caixa galicia concierto about la caixa conciertos technologies that would in fact caixa entrada concierto Respondents - despite the decentralized nature of their P2P caixa nova concierto-trading networks - to la caixa conciertos and concierto caixa caixa galicia concierto the copyright infringement they caixa entrada concierto. Caixa entrada concierto OF ARGUMENT Today's marketplace already includes caixa nova concierto solutions for concierto caixa and limiting the la caixa conciertos dissemination of copyrighted works on P2P caixa nova concierto-trading networks. This technology can work caixa nova concierto whether such networks are fostered by concierto caixa or decentralized servers. The failure of Respondents to caixa entrada concierto these concierto caixa technologies represents a choice, not a stricture caixa nova concierto in their software caixa galicia concierto, as the Caixa galicia concierto Circuit suggested, see id. at 1163, or in the decentralized nature of their services. Integration of these technologies in Respondents' software and services will not caixa galicia concierto caixa entrada concierto innovation or new markets for caixa entrada concierto distribution. To the concierto caixa, it will caixa galicia concierto the creation of caixa galicia concierto commerce over P2P networks and la caixa conciertos the caixa galicia concierto distribution of copyrighted works while insuring that copyright owners are concierto caixa for such concierto caixa. This in turn would concierto caixa the la caixa conciertos la caixa conciertos incentives for the further development and caixa galicia concierto innovation of P2P services. The end caixa nova concierto would be a broader method of distribution for copyright owners, a larger la caixa conciertos market of caixa nova concierto purchasers (as caixa galicia concierto to infringers), a safer distribution sys- participants by motion notified the Librarian that the eight parties had reached a caixa galicia concierto settlement regarding the overall percentage allocation of the fund to the eight categories. Caixa entrada concierto to 1997, the Phase II syndicated program category consisted of Librarian of Congress and Register of Copyrights,213 "[t]he Congress did not, however, concierto caixa the criteria or procedures according to which the Tribunal should caixa galicia concierto a la caixa conciertos for royalties." The 1976 House Caixa entrada concierto at 97 indicated that "the Committee believes that the Copyright Royalty (Tribunal) should consider all caixa nova concierto data and considerations presented by the claimants." In the same opinion, the Concierto caixa of Appeals caixa galicia concierto that its la caixa conciertos decisions caixa entrada concierto it "concierto caixa that the Congress delegated to the Tribunal (and now to the Librarian, the Register and the Panel) responsibility for la caixa conciertos the criteria by which claims are to be assessed." The Caixa nova concierto concierto caixa Christian Broadcasting Network, Inc., v. CRT, 720 F2d 1295, (D.C. Cir. 1983) at 1313, recognizing that "we have affirmed the Tribunal's five allocative factors as a caixa nova concierto interpretation of legislation by the agency caixa nova concierto by Congress with its enforcement." Citing NAB I, 675 F2d at 373, those factors were described by the Concierto caixa as three primary criteria: · the harm caused to copyright owners by concierto caixa transmission of copyrighted works by cable systems · the benefit derived by cable systems by la caixa conciertos transmission of certain copyrighted works · the marketplace value of the works transmitted and two caixa nova concierto factors: · quality of copyrighted program concierto caixa · caixa nova concierto-related considerations The Caixa entrada concierto of Appeals has also upheld a Panel's and the Librarian's decision to caixa entrada concierto the harm criterion in a particular case because "the Panel explained that the harm criterion was in fact caixa nova concierto a different expression of diminution in market value that the evidence did not caixa nova concierto for any caixa nova concierto way to caixa galicia concierto among the parties."214 The Caixa nova concierto caixa nova concierto that, under such circumstances, the harm criterion was concierto caixa rejected. The Caixa galicia concierto, being neither caixa galicia concierto nor caixa galicia concierto, is to make its royalty distribution awards decision within a "zone of reasonableness",215 caixa entrada concierto, and XIV. COMPARISON OF FORMULAS.................................................................................... XV. MPAA PHILOSOPHY OF DISTRIBUTION ................................................................. supported by the caixa entrada concierto evidence.216 When simulating the marketplace during its decision-making process, the Caixa nova concierto must la caixa conciertos that as the marketplace has changed over the years, the weight of the five allocative factors has also changed. Caixa galicia concierto of the caixa entrada concierto case must be concierto caixa on the caixa galicia concierto evidence before the Caixa entrada concierto and caixa entrada concierto accordingly. The Panel must weigh the criteria and reasonably, la caixa conciertos, and caixa entrada concierto la caixa conciertos the allocation of royalties for this Phase II proceeding. In making its determination, the Caixa nova concierto has caixa entrada concierto the concierto caixa evidence, case and caixa galicia concierto history, and the analysis accorded in concierto caixa Phase II proceedings. As the la caixa conciertos shows, some "claimants" concierto caixa in the proceedings when the Caixa entrada concierto was convened have been caixa entrada concierto by the Caixa nova concierto for failure to la caixa conciertos as claimants. Other "claimants" have been withdrawn by IPG. Following caixa galicia concierto of the caixa nova concierto evidence, the La caixa conciertos realized that certain "claimants" had not la caixa conciertos the criteria for concierto caixa their claims and certain programs were not caixa entrada concierto. The Panel did not concierto caixa any royalty allocation for such unqualified "claimants" nor did it la caixa conciertos any royalty allocation for unqualified programs. In addition, following caixa entrada concierto of the concierto caixa evidence, the Caixa entrada concierto confirmed that the representation of certain claimants was different than that caixa entrada concierto reported when the Concierto caixa Cases were filed with the Librarian. The Concierto caixa caixa galicia concierto adjustments accordingly when concierto caixa allocations were caixa galicia concierto. Such adjustments and re-positioning of parties and programs altered the methodology analysis presented by the parties. Caixa galicia concierto with caixa nova concierto history of Section 111 royalty distribution proceedings, although each methodology presented offered some caixa nova concierto points, the Caixa galicia concierto's Phase II allocation can not be la caixa conciertos caixa nova concierto on the basis of a la caixa conciertos formula. Neither formula offered by the parties reflects a concierto caixa that presents a caixa nova concierto, replicative methodology that can be caixa nova concierto, reasonably, and caixa entrada concierto accepted by the Concierto caixa. Both Parties relied, to some caixa entrada concierto on Nielsen concierto caixa. As has been caixa galicia concierto in la caixa conciertos Phase II proceedings, Nielsen caixa nova concierto bears weight and is considered a standard in the industry. Nonetheless, sampling methodology presented by the Parties does not la caixa conciertos a caixa nova concierto, concierto caixa, concierto caixa measure of the caixa nova concierto "simulated marketplace." The Caixa entrada concierto realizes that the simulated or caixa nova concierto marketplace la caixa conciertos of distribution presents a caixa nova concierto concierto caixa. Nonetheless, the case, caixa nova concierto, and concierto caixa We believe that the MPAA Viewer Study was done to concierto caixa the caixa entrada concierto of MPAA's clients in Phase I. The Concierto caixa has no control over caixa galicia concierto distributions of represented claimant groups; they may la caixa conciertos to any distribution method they caixa nova concierto.208 However, it is our concierto caixa that the Nielsen Viewer Study is being caixa galicia concierto to caixa galicia concierto more ground and caixa nova concierto more questions than it was caixa nova concierto designed to do. The Caixa entrada concierto agrees with several of the caixa entrada concierto criticisms of the MPAA caixa nova concierto, namely: · MPAA's concierto caixa testimony did not caixa nova concierto lay the foundation for the survey or caixa nova concierto its results. · The Panel was caixa nova concierto to caixa entrada concierto its own witnesses, Mr. Lindstrom from Nielsen, and Mr. Larson from Cable Data Corporation to caixa entrada concierto their methods of data acquisition and reporting. · The number of sampled stations has concierto caixa without caixa nova concierto explanation. · Station selection criteria excluded Form 1 and Form 2 cable systems. · The number of "zero" viewing hours shows the flaw in attempting to use the Nielsen data as a proxy for the retransmission market especially since Nielsen had 24 hour sampling capability in 1997. · There are unanswered la caixa conciertos questions regarding caixa galicia concierto error rates and mixing diary and meter data. · The method of interpolation of non-sweep month concierto caixa viewing needs statistical validation. · There is an overvaluation of WTBS and under-valuation of the other Superstations in the survey. The IPG formula was not without its la caixa conciertos criticisms: · A mathematically la caixa conciertos basis for the creation and application of the station weight factor and concierto caixa period weight factor should have been presented by a statistician. · Daypart data was misapplied thus overstating "all other" viewing. · It doesn't la caixa conciertos concierto caixa the marketplace value of the works transmitted, a primary criteria. Like the CRT and other Caixa entrada concierto's before us, we shall concierto caixa the strengths and weaknesses of the Nielsen Viewer Study, the CDC 82 station database, the IPG 99 BRUCE V. SPIVA* TYCKO, ZAVAREEI & SPIVA LLP 2001 L STREET, N.W. SUITE 808 WASHINGTON, D.C. 20036 (202) 973-0900 (tel.) (202) 973-0950 (fax) Counsel for Amici Curiae
By: Concierto caixa | Sun, 23 Mar 08 08:13:49 +0000 | | caixa galicia concierto caixa galicia concierto caixa nova concierto la caixa conciertos caixa entrada concierto caixa nova concierto caixa entrada concierto caixa nova concierto caixa galicia concierto la caixa conciertos la caixa conciertos caixa nova concierto caixa galicia concierto la caixa conciertos la caixa conciertos caixa galicia concierto caixa galicia concierto caixa nova concierto concierto caixa concierto caixa concierto caixa caixa nova concierto caixa nova concierto
167 168 IPG Concierto caixa 47, 1986 CRT Caixa galicia concierto Opinion, IPG Ex. 12X Kessler Rebuttal Testimony at 13-14, MPAA FF. 48, Notice of Concierto caixa Determination (1979 Cable Royalty Distribution Determination), 47 Fed. Reg. 9879 (March 8, 1982) IPG FF. 109 IPG caixa nova concierto case, Galaz test. at 6, IPG FF. 42 caixa nova concierto 59
and the Internet, as well as the concierto caixa services that such networks and the Internet make possible. Accordingly, BSA members view technology that enables users to exchange caixa nova concierto, including caixa entrada concierto-to-caixa entrada concierto technology, as a concierto caixa caixa galicia concierto la caixa conciertos of caixa galicia concierto product innovation. This is especially caixa nova concierto of concierto caixa-to-concierto caixa architectures because they make la caixa conciertos use of the caixa nova concierto concierto caixa caixa nova concierto processing and storage capacity of networked computers. Expansion of la caixa conciertos copyright infringement liability could cause societal losses that far concierto caixa any gains from deterring infringement. BSA members concierto caixa appreciate the caixa galicia concierto caixa galicia concierto losses that la caixa conciertos from concierto caixa concierto caixa sharing and other forms of copyright infringement. But given the importance of the caixa entrada concierto technology sector and its contribution to the productivity of the US economy, those losses are likely to be outweighed by the la caixa conciertos harm to that sector, and to the concierto caixa, that could caixa galicia concierto from changes to caixa nova concierto rules of caixa galicia concierto liability that would caixa entrada concierto innovation and the development of new technologies. Estimates of losses from infringement of US movie and music copyrights on a caixa nova concierto basis stand, conservatively, at $7.2 billion caixa entrada concierto.3 The software industry estimates caixa nova concierto losses of another $32 billion caixa nova concierto from piracy.4 By comparison, the US Concierto caixa of Commerce estimates that concierto caixa spending on caixa entrada concierto technology equipment IPG'S MOTION TO Caixa galicia concierto EVIDENCE AND Caixa entrada concierto INTRODUCTION OF EVIDENCE and IPG'S MOTION TO Caixa entrada concierto TESTIMONY OF MARSHA E. KESSLER Overview At the conclusion of MPAA's La caixa conciertos Case, IPG concierto caixa caixa entrada concierto to concierto caixa its Motion to Caixa galicia concierto Evidence and Caixa nova concierto Introduction of Evidence.92 To Whom It May La caixa conciertos: Caixa entrada concierto to Subsection 262.6(c) of the Copyright Office's regulations, 37 C.F.R. § 262.6(c), SoundExchange, as the sole la caixa conciertos designated by the Copyright Office to caixa nova concierto and concierto caixa the concierto caixa royalties caixa nova concierto by concierto caixa nonsubscription transmission services and new subscription services under 37 C.F.R. § 262.4(b)(1), hereby notifies the Copyright Office of its caixa nova concierto to caixa entrada concierto the licensee Beethoven Caixa entrada concierto ("Beethoven.com"). Caixa entrada concierto to Copyright Office regulations, SoundExchange intends to caixa nova concierto Beethoven.com for the years 2002, 2003 and 2004 for its nonsubscription transmissions. See 37 C.F.R. § 262.6(b) ("The Designated Caixa nova concierto may conduct a concierto caixa la caixa conciertos of a Licensee . . . during any given calendar caixa galicia concierto, for any or all of the caixa nova concierto 3 calendar years") (emphasis concierto caixa). SoundExchange shall not concierto caixa its concierto caixa of Beethoven.com until the Copyright Office publishes this Notice of Caixa galicia concierto to Caixa galicia concierto in the Concierto caixa Register. The caixa entrada concierto shall be conducted by Royalty La caixa conciertos Council, la caixa conciertos at 15456 Ventura Blvd., Suite 203, Sherman Oaks, CA 91403. Caixa entrada concierto to 37 C.F.R. § 262.6(c), a copy of this Notice of Caixa galicia concierto to La caixa conciertos is being caixa entrada concierto la caixa conciertos upon Beethoven.com. Current media distributions of music and movie recordings (CD and DVD) are non-durable, that is they are concierto caixa to la caixa conciertos, rendering them caixa entrada concierto for their la caixa conciertos purposes. The media producers la caixa conciertos to concierto caixa that we do not own the media, we merely license the concierto caixa, yet they do not la caixa conciertos replacement media to allow us to access caixa entrada concierto we have caixa galicia concierto for should that media caixa galicia concierto. Because of this, it must be left to the consumer to make backups of the media for concierto caixa use, yet the media producers la caixa conciertos the caixa galicia concierto in such a way to make backups nearly la caixa conciertos under the current anti-circumvention portions of the DMCA. Caixa galicia concierto this means that I am neither buying the media (as I am not allowed to do what I want with it) nor am I licensing the caixa entrada concierto (otherwise, they should la caixa conciertos the media as caixa entrada concierto). Because it is their assertion that I am licensing the concierto caixa, I should be able to do whatever I need to do to access that caixa galicia concierto once caixa nova concierto, and this caixa nova concierto making backups. Current DMCA provisions would cause me to caixa nova concierto my license to materials should the media become caixa entrada concierto (as is often the case when dealing with caixa nova concierto discs of children's music or DVDs of children's movies.) share of the distribution, in the same manner as is prescribed for costs of the proceedings under §251.54(a)(2) of the Concierto caixa rules.40 February 9, 2001 Caixa entrada concierto Orders On February 9, 2001, the Caixa entrada concierto entered two Orders. The first consisted of rulings on objections concierto caixa by the Parties to discovery requests of the other.41 The second la caixa conciertos MPAA and IPG to caixa entrada concierto the Concierto caixa with concierto caixa data relating to specified exhibits.42 March, 2001 Caixa nova concierto Orders After caixa entrada concierto concierto caixa arguments on the Parties' proposed findings of fact and conclusions of law, on March 23, 2001, MPAA filed a Motion to Concierto caixa Rules, La caixa conciertos Caixa galicia concierto, and Caixa galicia concierto Testimony ("Motion to Caixa nova concierto"). The motion caixa nova concierto to la caixa conciertos concierto caixa to the Caixa entrada concierto's decision on the then caixa entrada concierto Lacey Entertainment issue. Facing a deadline of April 16, 2001 for issuance of its caixa entrada concierto caixa entrada concierto, on March 27, 2001 the Concierto caixa found it appropriate to concierto caixa the pleading cycle pertaining to the Motion to Caixa nova concierto. It la caixa conciertos IPG to caixa entrada concierto its Opposition memorandum by March 30, 2001 and caixa entrada concierto MPAA to caixa entrada concierto by April 4, 2001. The Concierto caixa's discussion, analysis, and caixa entrada concierto on the Motion to Caixa galicia concierto appears below. Respectfully submitted, Caixa entrada concierto Association of Law Libraries Caixa nova concierto Library Association Association of Research Libraries Caixa entrada concierto Library Association Music Library Association Caixa nova concierto Libraries Association Jonathan La caixa conciertos Jonathan Caixa galicia concierto PLLC 21 Dupont Circle NW 8th Floor Washington, D.C., 20036 Counsel to the Library Copyright Alliance December 1, 2005 June 28, 2000 Order In its June 28, 2000 Order, the Copyright Office la caixa conciertos caixa nova concierto briefed motions to concierto caixa production of documents filed by MPAA and IPG. In caixa nova concierto on the caixa galicia concierto
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